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The Myth of the Sacred versus the Secular (c) 2001 by dwm You are playing outfield for the Heaven Defense Department softball team. God himself is at the plate; for the sake of your own limited imagination, he's taken the form of a sort-of mid-millennial Anglo-Saxon long-hair-with-a-robe kind-of guy. There you stand, center field, and a stomach-churning feeling of impending doom comes over you--He's going to hit it straight to you. You've caught this ball before, you know. There was the time when God took you out to the field, when no one else was there, and popped them out to you one after another. You watched them beautifully sail through the atmosphere, placed yourself under their apparent path of decrement, and caught them as they fell into your open hands. But here you are, at the big game. You see God at the plate. He's swinging. The ball is sent starward with a harmonic crack and it begins its perfect arc toward YOU. Suddenly, your coaches are all about you. The first base coach stands ten yards to your left, shouting, "Stand here! The ball is going to come down here!" The team manager shouts encouragement from behind you: "Just step back a few feet, hold your hands up, and get ready!" The third base coach is sending you signals; it looks like he's trying to act out what you should do... Thunk. The ball lands behind you... |
![]() "Please God may I catch this fly ball..."
There is
a phenomenon in this country right now, known as "praise and worship".
This Christian fascination is not without its price: all across
this great nation of ours, people are flocking to concerts, picking
up CDs, and otherwise (*ahem*) singing the praises and filling
the coffers of praise and worship music's select. There
is a hunger, an intense hunger, for the "worship experience,"
and those trained in the musical creation of such experiences
have found themselves with plenty of employment lately...
Unfortunately, as it has become with most things in the modern
church, music has become a victim of the church's loving embrace
with modernist philosophy. Worship music has become formulistic,
predictable and secure in its execution -- making the typical
"worship experience" very stale, rote, and anesthetic
(this from the movement first begun in response to the "boring"
liturgies of "old" church). The appropriate response to such separation of church and (the) state (of our lives) is Seeing God in the Ordinary: allowing God to integrate with our everyday experience of life, our journey of being. He desires that place and deserves it, that place of being integral to our very lives. Who is to say one shouldn't be able to get God-goosebumps while sipping wine by candlelight, reclining on one's back porch? |
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But before we jump right to
the end of this story, let's look at where we have been.
First, by way of definition: what do we exactly mean by "praise
and worship"? Do we mean the experience of God?
The liturgical order of worship? The holy of holies?
No. We mean, literally, praise and worship music.
Praise and worship music is primarily a style of music.
It is often referred to as "choral" music because of
its trait of having oft repeated "chorus" sections--short,
easily sung parts of a song. Many times new music is kept
out of the church canon simply because it does not fit into the
understood style of "P&W." Recent attempts
by contemporary P&W artists, like Delirious and Sonic Flood,
to update P&W's relevancy to popular music have been accepted
with open arms by a church culture finally ready to add a modern
feel to their P&W (never mind that groups like The Choir
were creating modern liturgies a decade ago). However it
is important to observe the constancy of style that exists even
within the "modern" P&W "movement".
There is, in fact, a theological and philosophical root to our
contemporary praise and worship of God that threatens to bury
church worship experience forever in pretension and irrelevance.
There are some historical precedents
against said segmentation. Two very popular Bible figures
are, in fact, among the most subversive of all historical persons:
King David of Israel and Jesus of Nazareth. The classic
story of David dancing in his undies always puts a smile on my
face (2 Samuel 6:14-16). His shameless joy put a frown
on at least one contemptuous observer then, and I imagine it
would do the same within the presence of Christians of today.
Jesus was of course the most seditious of all, delivering a message
that flew in the face of centuries' thought. Can you imagine
how quickly the ushers would carry out someone overturning the
ministry tables so common in the lobbies of our own vast temples--a
poor, wild-eyed Jew gripped on each arm by large men in suits?
(reference: Matthew 21:12) Both men held back nothing from
their faith-filled lives, living at once munificent and terrible
existences--a great difference from modern Christians, who, after
putting on a face to even go to church, experience a worship
event once there that looks nothing like anything else in God's
great Earth.
The second driver behind worship music's slip into insincerity is closely linked to that very last point, and is the very essence of this entire story. That is, unified awe-experience of God cannot be segmented from the rest of a person's life; it cannot be a sacred moment reserved for church auditoriums and Christian concert halls; it must be part of the very marrow of life. Tearing the emotive experience of God away from life is akin to tearing away a joint ligament from its bone: the limb remains intact visibly, but its functionality is all but ruined. We've been standing in the mud for so long, our pants, our shoes, our socks are soaked in it. It squishes in-between our toes when we try to move. But move we must. First, we must get worship away from form. God, and his worship, are mysterious, complicated, beyond our human understanding. We can certainly hope for a glimpse, a glimmer, a goose bump, a gasp of thin air. But we cannot continue to pursue Him week in and week out from within the same form and the same boundaries.
Once one's experience of God gets out of its box, it is possible to re-introduce common gatherings as a place for worship. "It's impossible to avoid the forms of the past. What is important are the meanings of today." (Josh Spencer, StrangerThingsMag.com, Jan-Feb 2001) The "stimulat[ing] one another to love...assembling together," as the Scriptures put it (Hebrews 10:24-25), is a very important time for social interaction, spiritual connection and encouragement. We are traveling across a mostly barren and often dangerous landscape--we frequently need to stop and circle the wagons. Certainly art and unified awe-experience of God must be central to this event. However, the presentation of that art and the actualization of that experience cannot come from within the limits of the P&W genre exclusively.
Appendix I: URLs to alt worship groups and authors http://www.trinity-bris.ac.uk/altw_faq/ Alt worship FAQ (UK) http://www.imagejournal.org/ Image magazine http://homepages.ihug.co.nz/~mriddell/ Mike Riddell's homepage (NZL) http://www.osbd.org/index.html one small barking dog (UK) http://www.phuture.org/ Phuture magazine http://ship-of-fools.com/ Ship of Fools magazine (UK) http://www.iona.org.uk/ Iona community (UK) http://www.vaux.net/ Vaux (UK) http://www.visions-york.org/ Visions (UK) http://www.marshillchurch.org/ Mars Hill church (WA) http://www.marshillforum.org/mars.html Mars Hill forum (WA) (not related) http://www.spck.co.uk/ Society to Promote Christian Knowledge (UK) http://www.lion-publishing.co.uk/ Lion Publishing (UK) http://www.vacommunity.com/html/home.html Visual Arts Community (MI) |
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